om02screenparameters0440
| No Effect | Disables the Effects. Does not output the sound. |
|---|---|
| Thru | Sets the Effect to Thru. The input sound is output without any effects being applied. |
Reverb
| HD Hall | Simulates the natural acoustics of a concert hall. |
|---|---|
| REV-X Hall | Hall reverb using the REV-X reverb algorithm |
| R3 Hall | Hall reverb using the reverb algorithm of the ProR3 Digital Reverb Processor |
| SPX Hall | Hall reverb from the classic SPX1000 |
| HD Room | Simulates the natural acoustics of a room. |
| REV-X Room | Room reverb using the REV-X reverb algorithm |
| R3 Room | Room reverb using the reverb algorithm of the ProR3 Digital Reverb Processor |
| SPX Room | Room reverb from the classic SPX1000 |
| HD Plate | Simulates a plate reverb. |
| R3 Plate | Plate reverb using the reverb algorithm of the ProR3 Digital Reverb Processor |
| SPX Stage | Stage reverb from the classic SPX1000 |
| Space Simulator | Allows you to specify the width, height, and depth of the room size. |
| Gated Reverb | Produces a gated reverb. |
| Reverse Reverb | Produces reverse playback of a gated reverb. |
| Shimmer Reverb | Creates mystical shimmering effects by adding pitch-changed Reverb sounds. |
Delay
| Cross Delay | The feedback of the delayed sound on each of the two channels is routed to the opposite channel. Produces alternate delayed sounds on the right and left. |
|---|---|
| Tempo Cross Delay | Tempo-synchronized Cross delay |
| Tempo Delay Mono | Tempo-synchronized Mono delay |
| Tempo Delay Stereo | Tempo-synchronized Stereo delay |
| Control Delay | Delay for creating scratch sounds by changing the delay length in real-time. |
| Delay LR | Produces two delayed sounds on the left and right, with two feedback delays. |
| Delay LCR | Produces three delayed sounds on the left, center, and right. |
| Analog Delay Retro | Simulates a bucket-brigade analog delay, set to short delay. |
| Analog Delay Modern | Simulates a bucket-brigade analog delay, set to long delay. |
Chorus
| G Chorus | Creates a deep sound with complex modulation. |
|---|---|
| 2 Modulator | Allows you to set the pitch modulation and amplitude modulation. Spreads out the sound naturally. |
| SPX Chorus | Chorus effect that uses a 3-phase LFO to add modulation and spaciousness to the sound. |
| Symphonic | Multiplexes the modulations for creating more spaciousness. |
| Ensemble Detune | Chorus effect without modulation, created by adding a slightly pitch-shifted sound. |
| GS1 Ensemble & Tremolo | Pleasant chorus effect used in Ensemble (three-phase BBD analog chorus) & Tremolo built into the GS1 (released in 1981). |
Flanger
| VCM Flanger | Flanger using VCM technology |
|---|---|
| Classic Flanger | Flanger with typical swirling sounds |
| Tempo Flanger | Flanger with tempo synchronized LFO |
| Dynamic Flanger | Flanger that controls the delay modulation in real-time depending on the level of the input sound. |
| Control Flanger | Allows manual operation instead of the LFO. |
Phaser
| VCM Phaser Mono | Mono Phaser using VCM technology |
|---|---|
| VCM Phaser Stereo | Stereo Phaser using VCM technology |
| Tempo Phaser | Phaser with tempo synchronized LFO |
| Dynamic Phaser | Effect that controls the phase in real-time depending on the level of the input sound |
| Control Phaser | Allows manual operation instead of the LFO. |
Trem/Rtr (Tremolo & Rotary)
| Auto Pan | Moves the Pan left and right. |
|---|---|
| Tremolo | Creates cyclical changes to the volume. |
| Rotary Speaker 1 | Simulates a rotary speaker. |
| Rotary Speaker 2 | Simulates a rotary speaker including an amplifier. |
| VCM Rotary Speaker Classic | Standard rotary speaker effect using VCM technology. Suitable for organs. |
| VCM Rotary Speaker Overdrive | Rotary speaker effect using VCM technology. Simulates the distorted sound of a rotary speaker with a transistor preamp connected. |
| VCM Rotary Speaker Studio | Rotary speaker effect using VCM technology, with three-dimensional rotation. |
Dist (Distortion)
| Amp Simulator 1 | Simulates a guitar amplifier. |
|---|---|
| Amp Simulator 2 | Simulates a guitar amplifier. |
| Comp Distortion | Combines Compressor and Distortion. |
| Comp Distortion Delay | Combines Compressor, Distortion, and Delay. |
| U.S. Combo | American combo amp simulator |
| Jazz Combo | Jazz combo amp simulator |
| U.S. High Gain | American high gain amp simulator |
| British Lead | British stack amp simulator |
| Multi FX | Multi-effect processor for guitars |
| Small Stereo | Stereo distortion for guitar sounds |
| British Combo | British combo amp simulator |
| British Legend | British stack amp simulator |
Comp (Compressor), Dynamics
| VCM Compressor 376 | Compressor using VCM technology |
|---|---|
| Classic Compressor | Simple, easy-to-use compressor. Suitable for solo instruments. |
| Multi-band Comp | Splits the sound into three bands and applies compressor separately on those bands. |
| Uni Comp Down | Compressor with a downward algorithm that suppresses loud sounds. |
| Uni Comp Up | Compressor with an upward algorithm that amplifies soft sounds. |
| Parallel Comp | Compressor applying parallel processing of the compressed sounds and dry sounds |
| M/S EQ Compressor | This effect splits the signal into Mid and Sides and then applies EQ and Compressor to each. |
Wah
| VCM Auto Wah | Auto Wah using VCM technology. Creates cyclical changes to the center frequency of the filter. |
|---|---|
| VCM Touch Wah | Touch Wah using VCM technology. Changes the center frequency of the filter depending on the level of the input sound. |
| VCM Pedal Wah | Pedal Wah using VCM technology. Changes the center frequency of the filter by operating controllers, such as a pedal. |
Lo-Fi
| Lo-Fi | Downgrades the quality of the audio input for a lo-fi sound. |
|---|---|
| Noisy | Adds noise to the sound. |
| Digital Turntable | Adds turntable noise to the sound. |
| Bit Crusher | Produces distortion by reducing the resolution or bandwidth of the digital sound. |
Tech
| Ring Modulator | Changes the input to a metallic sound. |
|---|---|
| CS Ring Modulator | The effect based on the Ring Modulator on the CS series analog synthesizers. |
| Dynamic Ring Modulator | The OSC Freq parameter for the Ring Modulator is controlled in real-time depending on the level of the input sound. |
| Dynamic Filter | The filter cutoff frequency is controlled in real-time depending on the level of the input sound. |
| Auto Synth | Resynthesizes the input signal using delay and modulation. |
| Spiralizer P | Special phaser-based filter with seemingly endless up or down pitch changes. |
| Tempo Spiralizer P | Spiralizer with tempo synchronized LFO |
| Spiralizer F | Special flanger-based filter with seemingly endless up or down pitch changes. |
| Tempo Spiralizer F | Spiralizer with tempo synchronized LFO |
| Isolator | Controls the volume of each band by using a powerful filter. |
| Slice | Slices the Amplitude EG of the input sound. |
| Tech Modulation | Applies special modulation. |
| Control Filter | A filter that allows manual operation of the cutoff frequency. |
| Vinyl Break | Causes the pitch to drop gradually to create a sound effect of a turntable stopped by hand or turning the device off. |
| Beat Repeat (even) | Creates mechanical beats by repeatedly playing sampled sounds. The length of the repeat is specified as a fraction of a beat with a denominator of an even number, such as 1/2, 1/4, 1/8, 1/16, and so on. |
| Beat Repeat (triplet) | Creates mechanical beats by repeatedly playing sampled sounds. The length of the repeat is specified as a fraction of a beat with a denominator having multiples of three, such as 1/3, 1/6, 1/12, and so on. |
| Beat Repeat (even+tri.) | Creates mechanical beats by repeatedly playing sampled sounds. Contains both even and triplet settings. |
| Beat Repeat (free) | Creates mechanical beats by repeatedly playing sampled sounds. The length of the repeat is specified as a decimal number. |
Misc
| VCM EQ 501 | 5-band EQ using VCM technology |
|---|---|
| Presence | Gives greater sonic presence to the input sound. |
| Harmonic Enhancer | Adds harmonic overtones to make the input sound stand out. |
| Stereophonic Optimizer | Adjusts the stereo location in the sound field. |
| Talking Modulator | Resynthesizes the input sound to create vowel formants. |
| Wave Folder | Controls the harmonic overtones to create a rich sound that changes over time. |
| VCM Mini Filter | Filter that adds thickness and depth to the sound. Simulates analog synthesizer circuitry. |
| VCM Mini Booster | Booster with distinctive characteristics. Simulates analog synthesizer circuitry. |
| Damper Resonance | Simulates the resonance of open string notes of an acoustic piano. |
| Pitch Change | Changes the pitch of the input sound. |
| Early Reflection | An effect created by isolating the early reflections of the reverb. |
| Vocoder | Extracts characteristics from the microphone sound and applies it to the Part played on the keyboard. Creates a distinctive, “robot voice” effect when you play the keyboard and sing or speak into the microphone at the same time. |
| NoiseGate+Comp+Eq | Contains Noise Gate, Compressor, and 3-band EQ. Suitable mainly for vocals. |