Premium Parameters
REV-X
2 IN/2 OUT reverb algorithm. It provides a high-density, richly reverberant sound quality, with smooth attenuation, and spread and depth that work together to enhance the original sound. You can choose one of three programs to suit the acoustic sound field and your intentions: REV-X Hall, REV-X Room, and REV-X Plate.
Parameter | Range | Description |
|---|---|---|
REV TYPE | HALL, ROOM, PLATE | The type of reverb. |
REV TIME | 0.28–27.94 s *1 | The length of the reverb |
INI. DLY | 1.0–125.0 ms | The delay until the early reflected sound of the reverb is produced |
HI. RATIO | 0.1–1.0 | Expresses the ratio of the high-frequency reverb time with respect to the REV TIME |
LO. RATIO | 0.1–1.4 | Expresses the ratio of the low-frequency reverb time with respect to the REV TIME |
LO.FREQ | 22.0 Hz–18.0 kHz | LO. Frequency value that serves as the basis for the RATIO value |
DIFF. | 0–10 | The horizontal spread of the reverb |
ROOM SIZE | 0–28 | The size of the space |
DECAY | 0–53 | The speed at which the gate closes |
HPF | THRU, 22.0 Hz–8.00 kHz | The cutoff frequency of the high pass filter |
LPF | 1.00 kHz–18.0 kHz, THRU | The cutoff frequency of the low pass filter |
*1. The value when the effect type is REV-X HALL and the ROOM SIZE is 28. The range will vary depending on the effect type and ROOM SIZE value.
Analog Delay
This delay effect is based on the Yamaha E1010 analog delay.
Parameter | Range | Description |
|---|---|---|
BBD TYPE | A, B, C, D, E | Adjust the characteristics of the delay sound. The characteristics become stronger in the order of switch A to E. |
TIME RANGE | 1-200, 201-600, 601-1000 | Specifies the delay time range controlled via the DELAY knob. |
INPUT | 0.00 to 10.00 | Adjusts the input gain. |
BASS | –15.00 to 15.00 | Adjusts the low frequency range level at the input stage. |
TREBLE | –15.00 to 15.00 | Adjusts the high frequency range level at the input stage. |
DELAY | 1 to 200 ms, 201 to 600 ms, 601 to 1000 ms | Adjusts the delay time. |
FEEDBACK | 0.00 to 10.00 | Adjusts the feedback amount of the delay time. |
FREQUENCY | 0.00 to 20.0 Hz | Adjusts the frequency of modulation. |
DEPTH | 0.00 to 10.00 | Adjusts the depth of modulation. |
MIX | 0.00 to 10.00 | Adjusts the mix balance between dry and delay sounds. |
SYNC | OFF, ON | Switches the tempo parameter sync on/off |
Max100
Complete reproduction of a vintage effect that was manufactured only during the late 1970s.
Parameter | Range | Description |
|---|---|---|
MODE | 1 to 4 | The timbre switch |
SPEED | SYNC ON, 0.100 to 10.00 Hz | The modulation speed |
FOOT | OFF, ON | Switches the effect on/off |
Dyna.Phaser
2 IN/2 OUT dynamic phaser.
Parameter | Range | Description |
|---|---|---|
SENSE | 0–100 | The input sensitivity |
DIR. | UP, DOWN | The direction in which the phase shift frequency moves in response to the input |
DECAY | 3.34 ms–42.7 s | The speed at which the phase shift frequency moves |
OFFSET | 0–100 | The offset of the frequency at which the phase shift is applied |
FB.GAIN | –99 to +99% | The feedback amount |
STAGE | 2, 4, 6, 8, 10, 12, 14, 16 | The number of phase shift stages |
OpenDeck
Emulates the tape compression created by two open reel tape recorders (a recording deck and a reproduction deck). You can change the sound quality by adjusting various elements, such as the deck type, tape quality, tape speed, etc.
Parameter | Range | Description |
|---|---|---|
REC DEC | Swss70, Swss78, Swss85, Amer70 | Selects the recording deck type. |
REC LVL | –96.0 to +18.0 dB | Adjusts the input level of the recording deck. As you raise the level, tape compression is generated, which narrows the dynamic range and distorts the sound. |
REC HI | –6.0 to +6.0 dB | Adjusts the high range gain of the recording deck. |
REC BIAS | –1.00 to +1.00 | Adjusts the bias of the recording deck. |
REPR DEC | Swss70, Swss78, Swss85, Amer70 | Selects the reproduction deck type. |
REPR LVL | –96.0 to +18.0 dB | Adjusts the output level of the reproduction deck. |
REPR HI | –6.0 to +6.0 dB | Adjusts the high range gain of the reproduction deck. |
REPR LO | –6.0 to +6.0 dB | Adjusts the low range gain of the reproduction deck. |
MAKE UP | Off, On | When the REC LVL is moved, REPR LVL will also change, maintaining the relative output level. You can change the amount of distortion without changing the output level. |
TP SPEED | 15ips, 30ips | Selects the tape speed. |
TP KIND | Old, New | Selects the tape type. |
Vintage Phaser
This is a model of phaser that provides a high degree of sound-shaping flexibility, and is not intended as a reproduction of any specific model.
Parameter | Range | Description |
|---|---|---|
SPEED | SYNC ON, 0.100Hz to10.00 Hz | The modulation speed |
MANUAL | 0.00 to 10.00 | The center frequency of the modulation |
DEPTH | 0.00 to 10.00 | The depth of modulation |
FEEDBACK | 0.00 to 10.00 | The feedback amount |
COLOR | 0.00 to 10.00 | Fine tuning of timbre |
MODE | 1,2 | The type of circuit structure that is modeled |
STAGE | 4, 6, 8, 10, 12, 16 | The extent of the circuit that is modeled |
FOOT | OFF, ON | Switches the effect on/off |
HQ.Pitch
1 IN/2 OUT high-quality pitch shifter.
Parameter | Range | Description |
|---|---|---|
PITCH | –12 to +12 semitones | The amount of pitch change (in semitones) |
FINE | –50 to +50 cents | Fine tuning of pitch change (in cents) |
DELAY | 1.0–1000.0 ms | The pitch change delay time |
FB. GAIN | –99 to +99% | The feedback amount |
MODE | 1–10 | The pitch change accuracy |
SYNC | OFF, ON | Switches tempo parameter synchronization on/off |
*1 : - 
However, the maximum value depends on the TEMPO setting.
Portico 5033
Models an analog 5-band EQ made by Rupert Neve Designs.
Parameter | Range | Description |
|---|---|---|
ALL BYPASS | OFF, ON | Switches EQ bypass on/off. Even in the bypassed state, the signal passes through the input/output transformer and amp circuit. |
TRIM | –12.0 to 12.0 dB | The input gain |
LF FREQ | 30.00 to 300.0 Hz | The center frequency of the LF |
LF GAIN | –12.0 to 12.0 dB | The gain of the LF |
LMF IN | OFF, ON | Switches the LMF on/off |
LMF Q | 0.70 to 5.00 | The LMF Q |
LMF FREQ | 50.00 to 400.0 Hz | The center frequency of the LMF |
LMF GAIN | –12.0 to 12.0 dB | The gain of the LMF |
MF IN | OFF, ON | Switches the MF on/off |
MF Q | 0.70 to 5.00 | The MF Q |
MF FREQ | 330.0 to 2500 Hz | The center frequency of the MF |
MF GAIN | –12.0 to 12.0 dB | The gain of the MF |
HMF IN | OFF, ON | Switches the HMF on/off |
HMF Q | 0.70 to 5.00 | The HMF Q |
HMF FREQ | 1.80k to 16.0k Hz | The center frequency of the HMF |
HMF GAIN | –12.0 to 12.0 dB | The gain of the HMF |
LF/HF IN | OFF, ON | Switches the LF/HF on/off |
HF FREQ | 2.50k to 25.0k Hz | The center frequency of the HF |
HF GAIN | –12.0 to 12.0 dB | The gain of the HF |
EQ-1A
A processor that emulates a vintage EQ that is considered the classic passive EQ.
Parameter | Range | Description |
|---|---|---|
LOW FREQUENCY (LO FREQ *1) | 20, 30, 60, 100 Hz | The frequency range of the low-range filter |
(LOW) BOOST (LO BOOST *1) | 0.0 to 10.0 | The amount of amplification of the low-range filter |
(LOW) ATTEN (LO ATT *1) | 0.0 to 10.0 | The amount of attenuation of the low-range filter |
HIGH FREQUENCY (HI FREQ *1) | 3k, 4k, 5k, 8k, 10k, 12k, 16k Hz | The frequency range of the high-range filter |
(HIGH) BOOST (HI BOOST*1) | 0.0 to 10.0 | The amount of amplification of the high-range filter |
(HIGH) BAND WIDTH (BAND WID *1) | 0.0 to 10.0 | The bandwidth of the high-range filter |
(HIGH) ATTEN SEL (HI ATT F *1) | 5k, 10k, 20k Hz | The frequency range attenuated with the high-range filter |
(HIGH) ATTEN (HI ATT *1) | 0.0 to 10.0 | The amount of attenuation of the high-range filter |
IN | OFF, ON | On/off. If off, the filter section is bypassed but the signal passes through the input/output transformer and amp circuit. |
*1. Screen encoder access field display
Dynamic EQ
A newly developed equalizer that dynamically changes EQ gain according to the input signal, allowing you to control the amount of EQ cut or boost like a compressor or expander.
Parameter | Range | Description |
|---|---|---|
BAND ON/OFF | OFF, ON | Switches the corresponding band on/off. |
SIDECHAIN CUE | OFF, ON | If this button is on, the sidechain signal linked to the dynamics is sent to the CUE bus for monitoring. |
SIDECHAIN LISTEN | OFF, ON | If this button is on, the sidechain signal linked to the dynamics is output to the bus (e.g., STEREO bus or MIX/MATRIX bus) to which the inserted channel is being sent. |
FILTER TYPE | Low Shelf, Bell, Hi Shelf | Switches the type of equalizer and sidechain filter. |
FREQUENCY (FREQ 1, FREQ 2 *1) | 20.0 to 20.0k Hz | The frequency that is controlled by the equalizer and the sidechain filter. |
Q (Q 1, Q 2 *1) | 15.0 to 0.50 | The Q of the equalizer and the sidechain filter. |
THRESHOLD (THRESH 1, THRESH 2 *1) | –80.0 to 10.0 dB | The threshold value at which the processing effect begins to apply. |
RATIO (RATIO 1, RATIO2 *1) | ∞ : 1 to 1 : 1.50 | Specifies the ratio of boost/cut for the input signal. |
MODE | BELOW, ABOVE | Specifies whether processing operates when the sidechain signal exceeds the threshold value (ABOVE) or when it falls below it (BELOW). |
ATTACK/RELEASE | FAST, SLOW, AUTO | The attack time and release time at which compression or boost is applied. |
*1. Screen encoder access field display
Dynamic EQ4
This is a two-band dynamic equalizer that has been expanded to feature four bands.
Parameter | Range | Description |
|---|---|---|
BAND ON/OFF | OFF, ON | Switches the corresponding band on/off. |
KEY IN SOURCE | INT, EXT | Select main (INT) or external (EXT) as the source for the KEY IN signal used for the corresponding band. |
KEY IN CUE | OFF, ON | If this button is on, the sidechain signal is sent to the CUE bus for monitoring. |
SHELF ON/OFF | OFF, ON | Switches the type of equalizer and sidechain filter. |
FREQUENCY | 20.0 to 20.0k Hz | The frequency that is controlled by the equalizer and the sidechain filter. |
Q | 15.0 to 0.50 | The Q of the equalizer and the sidechain filter. |
THRESHOLD | –80.0 to 10.0 dB | The threshold value at which the processing effect begins to apply. |
RATIO | ∞ : 1 to 1 : 1.50 | Specifies the ratio of boost/cut for the input signal. |
MODE | BELOW, ABOVE | Specifies whether processing operates when the sidechain signal exceeds the threshold value (ABOVE) or when it falls below it (BELOW). |
ATTACK/RELEASE | FAST, SLOW, AUTO | The attack time and release time at which compression or boost is applied. |
Portico 5043
Models an analog compressor/limiter made by Rupert Neve Designs.
Parameter | Range | Description |
|---|---|---|
IN | OFF, ON | Switches the compressor bypass on/off. When bypassed, the button is unlit. However, even in the bypassed state, the signal passes through the input/output transformer and amp circuit. |
FB | OFF, ON | Switches between Feed-Forward and Feed-Back. |
THRESHOLD | –50.0 to 0.0 dB | The threshold level |
RATIO | 1.10 : 1 to 28.9 : 1, LIMIT | The compression ratio |
ATTACK | 20 to 75 ms | The attack time |
RELEASE | 100 ms to 2.50 sec | The release time |
GAIN | –6.0 to 20.0 dB | The output level |
Portico 5045
Models the Primary Source Enhancer made by Rupert Neve Designs.
Parameter | Range | Description |
|---|---|---|
PROCESS ENGAGE | OFF, ON | Switches the enhancement circuit on/off. Even when off, the signal passes through the audio transformer and discrete amp circuit. |
RMS/Peak | RMS, Peak | The operation mode for the level detector |
TIME CONSTANT | A, B, C, D, E, F | The attack time and release time |
THRESHOLD | –42.0 to –12.0 dB | The threshold level |
DEPTH | 0.0 to –20.0 dB | The amount of signal attenuation below the threshold level |
U76
Models a standard vintage compressor/limiter used in a wide variety of situations.
Parameter | Range | Description |
|---|---|---|
INPUT | –96.0 to 0.0 dB | The input level |
OUTPUT | –96.0 to 0.0 dB | The output level |
ATTACK | 5.50 to 0.10 ms | The attack time of the compressor. Fastest when fully turned to the right. |
RELEASE | 1100.0 to 56.4 ms | The release time of the compressor. Fastest when fully turned to the right. |
RATIO | ALL, 4, 8, 12, 20 | Switches the compression ratio. Strong when ALL is pressed. |
METER | OFF, +4, +8, GR | Switches the meter display |
Opt-2A
A processor that emulates a standard vintage model of vacuum tube optical compressor.
Parameter | Range | Description |
|---|---|---|
GAIN | –56.0 dB to 40.0 dB | The output level |
PEAK REDUCTION (REDUC *1) | –48.0 dB to 48.0 dB | The amount of gain reduction |
RATIO | 2.00 to 10.00 | The compression ratio |
METER SELECT | OUTPUT+10, GAIN REDUCTION, OUTPUT+4 | Switches the meter display |
*1. Screen encoder access field display
Comp276
Emulates the characteristics of an FET gain reduction compressor commonly used in recording studios. It produces a thick and solid sound that is suitable for drums or bass. Two mono channels can be controlled independently.
Parameter | Range | Description |
|---|---|---|
INPUT 1 | –180 to 0 dB | Adjusts the CH1 input level. |
OUTPUT 1 | –180 to 0 dB | Adjusts the CH1 output gain. |
RATIO 1 | 2:1, 4:1, 8:1, 12:1, 20:1 | The CH1 compressor ratio |
ATTACK 1 | 0.022–50.4 ms | The attack time of the CH1 compressor |
RELEASE1 | 10.88–544.22 ms | The release time of the CH1 compressor |
MAKE UP1 | OFF, ON | Automatically compensates the decrease in the output gain when the CH1 compressor is applied. |
SIDE HPF1 | OFF, ON | If the CH1 compressor's sidechain HPF is on, the compressor applies less to the low-frequency region, strengthening the low-frequency output. |
Comp276S
Emulates the characteristics of an FET gain reduction compressor commonly used in recording studios. It produces a thick and solid sound that is suitable for drums or bass. The L/R channel parameters can be controlled together.
Parameter | Range | Description |
|---|---|---|
INPUT | –180 to 0 dB | Adjusts the input level. |
OUTPUT | –180 to 0 dB | Adjusts the output gain. |
RATIO | 2:1, 4:1, 8:1, 12:1, 20:1 | The compressor ratio |
ATTACK | 0.022–50.4 ms | The attack time of the compressor. |
RELEASE | 10.88–544.22 ms | The release time of the compressor. |
MAKE UP | OFF, ON | Automatically compensates the decrease in the output gain when the compressor is applied. |
SIDE HPF | OFF, ON | If the compressor's sidechain HPF is on, the compressor applies less to the low-frequency region, strengthening the low-frequency output. |
Buss Comp 369
This compressor emulates a standard bus compressor that is standard in recording studios and broadcasting stations.
Parameter | Range | Description |
|---|---|---|
INPUT ADJUST | –15.0 to +15.0 dB | Adjusts the input gain. However, the output gain changes inversely in tandem with the level of this knob so that the volume remains the same as the pass-through volume. For example if INPUT ADJUST is +5 dB, the input gain is +5 dB and the output gain is –5 dB. |
LINK | ON, OFF | Switches the stereo link on/off (stereo only). |
METER | IN, GR, OUT | Selects the signal source for the meter (stereo only). |
VU | IN, OUT | Selects the signal source for the VU meter (dual only). |
COMP IN | ON, OFF | Switches the compressor on/off. |
COMP RATIO | 1.5:1, 2:1, 3:1, 4:1, 6:1 | The compressor ratio |
COMP GAIN | 0.0 to +20.0 dB | The makeup gain of the compressor |
COMP RECOVERY | 100 ms, 400 ms, 800 ms, 1500 ms, a1, a2 | The release time of the compressor. For a1 (auto 1) and a2 (auto 2), the release time changes automatically. a1: Automatically changes in the range of 100 ms to 2 sec. a2: Automatically changes in the range of 50 ms to 5 sec. |
COMP THRESHOLD | –40 to –5 dBFS | The threshold of the compressor |
LIMIT IN | ON, OFF | Switches the limiter on/off. |
LIMIT ATTACK | FAST, SLOW | The attack time of the limiter. FAST: 2 ms, SLOW: 4 ms |
LIMIT RECOVERY | 50 ms, 100 ms, 200 ms, 800 ms, a1, a2 | The release time of the limiter. For a1 (auto 1) and a2 (auto 2), the release time changes automatically. a1: Automatically changes in the range of 100 ms to 2 sec. a2: Automatically changes in the range of 50 ms to 5 sec. |
LIMIT THRESHOLD | –16 to –5 dBFS | The threshold of the limiter |
MBC4
This four-band compressor offers intuitive operability.
Parameter | Range | Description |
|---|---|---|
LOW CROSSOVER | 20 to 500 Hz | The crossover frequency from the low to mid-low range |
MID CROSSOVER | 80 to 10 kHz | The crossover frequency from the mid-low to mid-high range |
HIGH CROSSOVER | 1k to 15 kHz | The crossover frequency from the mid-high to high range |
LOW GAIN | –18.0 dB to 12.0 dB | The output gain of the low range |
LOW THRESHOLD | –80.0 dB to 0.0 dB | The threshold of the low range |
LOW RATIO | 1.0:1 to 20.0:1 | The compression ratio of the low range |
LOW ATTACK | 0.1 to 120 ms | The attack time of the low range |
LOW RELEASE | 5 to 1000 ms | The release time of the low range |
LOW COMP IN | ON, OFF | Switches the low-range compressor on/off. |
LOW CUE ON | ON, OFF | If this button is on, the low-range output is cued and monitored. |
LOW MID GAIN | –18.0 dB to 12.0 dB | The output gain of the mid-low range |
LOW MID THRESHOLD | –80.0 dB to 0.0 dB | The threshold of the mid-low range |
LOW MID RATIO | 1.0:1 to 20.0:1 | The compression ratio of the mid-low range |
LOW MID ATTACK | 0.1 to 120 ms | The attack time of the mid-low range |
LOW MID RELEASE | 5 to 1000 ms | The release time of the mid-low range |
LOW MID COMP IN | ON, OFF | Switches the mid-low range compressor on/off. |
LOW MID CUE ON | ON, OFF | If this button is on, the mid-low range output is cued and monitored. |
HIGH MID GAIN | –18.0 dB to 12.0 dB | The output gain of the mid-high range |
HIGH MID THRESHOLD | –80.0 dB to 0.0 dB | The threshold of the mid-high range |
HIGH MID RATIO | 1.0:1 to 20.0:1 | The compression ratio of the mid-high range |
HIGH MID ATTACK | 0.1 to 120 ms | The attack time of the mid-high range |
HIGH MID RELEASE | 5 to 1000 ms | The release time of the mid-high range |
HIGH MID COMP IN | ON, OFF | Switches the mid-high range compressor on/off. |
HIGH MID CUE ON | ON, OFF | If this button is on, the mid-high range output is cued and monitored. |
HIGH GAIN | –18.0 dB to 12.0 dB | The output gain of the high range |
HIGH THRESHOLD | –80.0 dB to 0.0 dB | The threshold of the high range |
HIGH RATIO | 1.0:1 to 20.0:1 | The compression ratio of the high range |
HIGH ATTACK | 0.1 to 120 ms | The attack time of the high range |
HIGH RELEASE | 5 to 1000 ms | The release time of the high range |
HIGH COMP IN | ON, OFF | Switches the high-range compressor on/off. |
HIGH CUE ON | ON, OFF | If this button is on, the high-range output is cued and monitored. |
MAIN GAIN | –18.0 dB to 12.0 dB | Adjusts the gain of the final output signal. |
KNEE | HARD, 1, 2, 3, SOFT | Adjusts the knee of the compressor. |
FLAVOUR | VCA, OPTO | Switches the type of the compressor between VCA (accurate effects) and OPTO (natural effects). |
HARMONICS | ON, OFF | Switches musical harmonics that emulate analog circuitry on/off. |
LINK GAIN | — | Adjusts the output gain of the four bands together. |
LINK THRESHOLD | — | Adjusts the threshold of the four bands together. |
LINK RATIO | — | Adjusts the compression ratio of the four bands together. |
LINK ATTACK | — | Adjusts the attack time of the four bands together. |
LINK RELEASE | — | Adjusts the release time of the four bands together. |
DaNSe
A Dynamic Noise Suppressor with excellent sound quality and operability.
Parameter | Range | Description |
|---|---|---|
TIGHTNESS | 50 to 2000ms | The release time |
LOW_FREQUENCY | 20 Hz to 5.00 kHz | The lower frequency limit of the noise suppression band |
HIGH_FREQUENCY | 80 Hz to 20.00 kHz | The upper frequency limit of the noise suppression band |
LINK | — | The GAIN 1–6 simultaneous modulation knob |
THRESHOLD | –80.0 to 0.0 dB | The threshold level |
GAIN 1 | –24.0 to 0.0 dB | The maximum amount of gain reduction in BAND1 |
GAIN 2 | –24.0 to 0.0 dB | The maximum amount of gain reduction in BAND2 |
GAIN 3 | –24.0 to 0.0 dB | The maximum amount of gain reduction in BAND3 |
GAIN 4 | –24.0 to 0.0 dB | The maximum amount of gain reduction in BAND4 |
GAIN 5 | –24.0 to 0.0 dB | The maximum amount of gain reduction in BAND5 |
GAIN 6 | –24.0 to 0.0 dB | The maximum amount of gain reduction in BAND6 |
LEARN | ON, OFF | The LEARN (THRESHOLD and GAIN 1–6 automatic adjustment) start button*1 |
REVERT | — | The REVERT (restoration of last LEARN parameter) start button |
*1. Since the internal signal processing parameters are also adjusted automatically, LEARN in different environments may have different effects even if all the displayed parameters are configured the same. If a scene recall or library recall is executed without using Recall Safe for parameters during LEARN, the LEARN may fail.
DM7 Series